Canister, the latest album from the San Francisco based band Elephone, would make for a great soundtrack to a film mired in poignancy, darkish humor and self reference. From the kinetic opening monitor, “El Jefe”, to the whimsical, carnival infused nearer, “It’s Pressured”, the tracks serve up tragicomedy on an analog platter. The cinematic allusions are purposeful. Lead singer Ryan Lambert has a background in film and television and the album’s title is borrowed from the oft used- and referenced- film canisters.
Whereas the band’s earlier info featured Lambert as the one vocalist, Canister introduces the feisty vocals of Sierra Frost. In its place of turning into slowed down in a sonic vitality play, the duo manages to commerce off their predominance between- and usually within- each monitor. Lambert’s voice, usually harkening the early ’90s lo-fi indie heyday, breaks by means of with energy and urgency on “Eddie Izzard”. Frost’s shining second is obtainable in “As Seen on TV”, the place she infuses the sweet opening lyrics with a slight exasperation that lifts it above the usual observe of longing.
The atmospheric instrumentals are assisted by guitarist Terry Ashkinos and bassist Dan Settle. Ashkinos aptly compares Elephone’s vogue to a Wes Anderson film, saying “That’s what we try and do in music…Have these moments, these little crescendos of feeling.” For many who must ever need inspiration for a sluggish motion stroll to victory, a suspended underwater realization or for the second you discover you have received already handed your peak- that’s an album to take care of accessible.