Earthling Society – Plastic Jesus and the Third Eye Blind – Nasoni Records – Music Review
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Prog is just not a four-letter phrase. OK, I suppose it’s a four-letter phrase, however its not a grimy one. I actually really feel the on a regular basis music fan’s aversion to progressive rock comes from the notion that it means infinite wanking guitar solos, half-hour drum effectivity objects, and high-pitched operatic vocals dealing in science fiction or vaguely New Age elements. Let’s face it, fairly a number of the perfect practitioners of the shape did not assist factors. Keep in mind Emerson, Lake and Palmer. Keep in mind Constructive with their “Tales from the Topographical Ocean”. Even bear in mind Rush with a few of their idea objects.
It does get to be a bit hundreds. I counsel, after side-long songs, you attain a optimistic diploma the place you merely need the readability of, say, Beneath the Boardwalk, or, heaven forbid, Rockin’ Robin.
Anyway, placing these notions apart, and looking at fairly a number of the fashionable purveyors of progressive rock, we uncover one issue actually wonderful. They’ve imbibed the teachings of their Prog progenitors, however have filtered by means of twenty-five years of underground music they usually’ve give you one issue unbelievable.
Excessive-of-the-line bands mining these fields is England’s non-public Earthling Society. They’ve left behind the lighter facet of Prog and as a substitute take inspiration from such superior noise-mongers as Magma, Van Der Graff Generator, and King Crimson. Their earlier album, “Albion”, was heralded by rock outsider, Julian Cope, on his Head Heritage website. The album was an precise powerhouse. On their new album, “Plastic Jesus and the Third Eye Blind”, they’ve dug in even deeper and have give you a winner.
Musically, they’re ineffective on. This isn’t your father’s Prog.
Noisy, dense, and at conditions a bit “dubby”, that is head music, meant to be carried out loud and extended. The 2 prolonged objects, Kosmik Suite No. 1, and No. 2 have a little bit of little bit of 1 issue for everybody, each musically and lyrically.
Talking of lyrics, this album is filled with them. Appropriately although, vocalist Fred Laird, makes use of his voice further musically than didactically, and the messages are misplaced in a extraordinarily fascinating, however blurry, tonality. The album does, nonetheless, embrace a lyric booklet and evidently the lads of Earthling Society have an ideal bit to say. From an outright rejection of organized faith (Plastic Jesus) to blistering condemnation of the governmental/agency destruction of nature (Kosmik Suite No. 2), Earthling Society aren’t afraid of drawing strains contained in the sand and taking sides. Definitely considered one of many further extraordinarily environment friendly parts of those declarations is how they appear to return from a mystical or mythological zone. Earthling Society has drunk deeply from the pagan heritage of their native Britain, and by doing so, their complaints cope with added authority and visionary actuality.
“Plastic Jesus and the Third Eye Blind” is an uncommon and hard hear. The depth of the themes and lyrical content material materials supplies are a welcome departure from the regularly and repeatedly. The superb musicianship and inventive tune buildings reveal a layered and sophisticated work that rewards repeated listenings. A really distinctive band and an incendiary piece of artwork work.
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